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View: Grid List
· Amy Glover

Embodied Carbon: Allowable Solutions

Even before a building is occupied, between 30% and 70% of lifetime carbon emissions has already been accounted for.

In July we jointly hosted a debate with the Alliance for Sustainable Building Products (ASBP) on 'Embodied Carbon: Allowable Solutions - How and When?'

Guy Battle, Director of the Sustainable Business Partnership, presented the key findings of the Embodied Carbon Industry Task Force. This was followed by a panel discussion asking 'how' and 'when' would Embodied Carbon be taken forward as an Allowable Solution. 

Film of the Embodied Carbon: Allowable Solutions event

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· Colin Rice

Circular Economy

More fun with thrift

Over 30 million microwave cookers are sold annually throughout the world. Let's say they last five years - probably optimistic. What happens to all those toughened glass microwave plates that cannot go in with the normal glass recycling?

Here's one idea. Enjoying the 'nautical metaphor' of bathrooms as ships' cabins, I cut and trimmed a circular hole in a bathroom door and fixed an old microwave plate over it.  The lip round the outside matches perfectly some cut down 2.5mm2 cable clips.

The light transmission leaves something to be desired but the dimples are perfect for modesty.

· Colin Rice

Drip-dry walls and windows

Low-cost DIY refurb

I've just about finished the first phase of my latest project exploring low maintenance cladding and windows. This to overclad my seaside shack, upgrading the thermal performance of the walls and renewing the existing casement windows. 

'Going with the flow', the whole building section is gently reconfigured so that the roof drips over the wall, the cladding drips over the glass and the glass drips over the cladding below. The result is a layered facade in two senses: the three layers of overhangs across the height of the wall, and the layering of the individual wall components to achieve this. 

The windows are home-made simple box frames of 25mm marine ply, with glazing directly fixed to the front, 220mm deep so they make a wall lining too. Vapour control barrier and insulation are fixed to the existing wall and an air barrier aligns neatly with the front of the box frame window. The rough sawn Douglas Fir rain screen cladding hides the fixings of the  windows so they appear frameless and just so. A painted shutter made of the same 25mm plywood provides ventilation. This sits in the same line as the glass, overhanging the cladding below, and closes against a hardwood mullion with an aluminium flat glued into a slot to form a water baffle. I've reused the ironmongery from the casements. Hardly original - think of Corb's aerators at Maison Jaoul etc - but you do get a lovely variety of light with an opening flap.

After years of reputtying and painting and still losing the battle against rot this solution is economical, elegant and cosy. For a price beyond my budget you can get double glazed stepped section units that would even meet the Building Regulations.

Rather than chasing the abstraction of the primitive hut as pure geometric volume, which seems to be the current fashion in spite of its costly failures, this is a game of abstracting window and wall, enjoying the play of light and shade, solid and void that comes from expressing what a wall must do.

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· Amy Glover

Cullinan Animations

To celebrate the launch of our new website we created three 10 second animations of our architectural ethos.

Cullinan Animation 1: #Climate

The John Hope Gateway at the Royal Botanic Garden in Edinburgh is an archetypal example of how sustainability can help to enhance a building's design.


Cullinan Animation 2: #Collaboration

The National Automotive Innovation Centre (NAIC) at the University of Warwick is a great example of how we have consulted with the users to create a place for successful collaboration betwen design, research and industry.


Cullinan Animation 3: #Creativity

Maggie's Newcastle shows how a creative use of the landscape can provide shelter, warmth and joy.

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· Amy Glover

Open House/New Website

A great turnout to our studios for Open House London 2014 on Sunday and a chance to show-off our new website, launched on the same day.

We were only open for two hours but managed to welcome around 200 visitors through our doors for Open House London 2014 on Sunday 21st September. 

Johnny, Robin, Colin and Alex gave tours of our building, explaining how we had retrofitted a listed Victorian warehouse on Regents Canal into our new BREEAM 'Excellent' studios (completed in 2012). 

Johnny Winter leading a tour of the Foundry (Cullinan Studio)

Colin Rice leading a tour

Robin Nicholson Colin Rice leading tours

It was great to see such enthusiasm for the Open House weekend and an extra bonus to be able to raise £81 for Maggie's Cancer Care Centres from donations for the home-baked cakes on offer. 

Sunday also marked the launch of our new website, designed with creative consultants, Enso and built by web developers, Buffalo.

In celebration of the website launch, there was an extra-special treat to see the debut of the 'Woodpecker' drawing system, created by Enso's partner Those Works, which recreated Ted Cullinan's hand-drawn story behind the Ready Mix Concrete HQ (Grade 2* Listed earlier this year). 

The Woodpecker recreating Ted Cullinan's RMC lecture

Close up of the 'Woodpecker' drawing system

The completed drawing

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· Sahiba Chadha

Tangibility of the Flat Pack Neighbourhood

A visit to Wikihouse 4.0 and “Building on Open Source Design ” talk at the Building Centre

When you’re out and about this weekend soaking up all Open House 2015 has to offer, it will definitely be worth your while to pop by the pop-up WikiHouse 4.0 that is currently enjoying prime frontage on Store Street for the London Design Festival.

For those unfamiliar with the notion of “open-source design”, this WikiHouse prototype provides an embodiment of the Wikihouse platform’s open-source self-build dream – a prototype flat-pack house, compiled of details and junctions available online under creative commons, consolidated by a collaborative design team (Zero Zero Architecture, Arup) and constructed in eight days.

Sounds like a happy marriage between high and low tech.

Well yes, the development of the WikiHouse platform is described by co-founder Alistair Parvin as being down to technological shifts: the rise of global connectivity, parametric automation and digital local manufacturing. I won’t pretend to understand the how the smart electrical engineering of Wikihouse 4.0 works (I did gather that the MVHR unit composed of 3D printed mechanism with upcycled beer can casing), but it’s fully wired and online without a switch in sight, using an app to remote control the whole building. So the house is like a system in itself, sounds a bit like a machine made for living in…

And yet it’s also as low tech as they come, the prototype was built by a rolling rota of eight untrained volunteers at a time and all in rough and ready OSB, using self-made tools: the Wiki mallets.

But what about the harder issues of open source design, like preserving the notions of authorship and intellectual property, so hammered into us during architectural education. Parvin is at pains to stress that the downloadable details are rarely pure innovations, some of the Wikihouse joints are ripped straight off centuries old Japanese jointing.

So in the context of the UK housing crisis, how could this become tangible? The panel of the accompanying talk, made up of Parvin, Stuart Smith of Arup, Carl Turner and Paloma Strelitz of Assemble, agreed several points:

  • Web infrastructure is vital and diffusion of affordable good design, even more so in a changing global landscape of a burgeoning middle class in Asia demanding higher quality homes
  • There’s a global demand, a market of 20 million self-builders
  • We need legislative change in our highly regulated homeland, normalising land availability in particular
  • Perhaps we need a different approach to the market geared towards to values of the end user.  A house built for an end user is wildly different to that built by developer expecting returns, should we be economising "attention/sqm".
  • Reconnecting thinking and making, ensuring the latter is more accessible (an aside – visit Assemble’s £290/sqm Barn in Bow if not for its attempt to stall the nomadic creative community then to see some gorgeous handmade ceramic tiles)
  • Convincing local authorities to see this as part of social investment in a neighbourhood (another aside - see Carl Turner’s Grow Brixton project)
  • Challenging current procurement norms: Collective custom build, procurement issue is major step for self builders, architect as agent, contractors shell. (see Paper houses – higher end WikiHouse brethren)

One cannot help but wonder, where does the designer sit alongside these downloadable, replicable modular homes?

Parvin quotes Cedric Price in response: "technology is the answer but what is the question". Perhaps, the questions are context, need and realisation, and with this the designer can reclaim the role of agent and actuator.

And what about an answer to our housing crisis?

Well, stay tuned for Cullinan Studio’s own contribution to the debate in the coming months.

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· Colin Rice

You’ve got to go with the flow!

Cladding with overlapping elements has a discipline we ignore at our peril

It makes intuitive sense that rising global temperature will lead to more energy sloshing around in the oceans and atmosphere and hence more extreme weather events, even in the UK. However sceptical one may be, it would be prudent to fear the worse and design accordingly.

I was saddened to see on national news last week that a West Country primary school, built to the highest Eco credentials, had leaked since it opened and was going to cost almost as much to repair as to build - saddened selfishly because we need good stories about sustainable design to convince sceptical clients, not negative ones.

When I looked at the section of the pod-like classrooms I could see that the likely cause of the problem had little to do with sustainable design. Instead, the conceptual section is fundamentally flawed. Walls and roof alike are clad totally in locally sourced timber boarding, ignoring the fact that a roof is subject to more punishing weathering from rain and sun. More critically, in order to preserve the prismatic geometry there are no eaves, but rather a lined hidden gutter set inboard of the roof edge. With such a construction method, all workmanship must be perfect, all gutters and downpipes cleared of debris daily - and the rain intensity must strictly follow the British Standard. 

A section of extreme optimism

The principle of Creative Pessimism tells us that we should proceed on the assumption that what can go wrong will. Design with two lines of defence, have answers to the simple question what if the gutter leaks or is blocked? With more frequent and stronger storms, our architecture should celebrate the difference between roofs and walls, which is ultimately more sustainable.

· Amy Glover

Open House London

We are open for Open House London on Sunday 21st September 2014.

We will be opening our doors from 11am to 1pm. 

There will be tours by the architects around our BREEAM 'Excellent' retrofit studios, an exhibition of our recent work and a 'drawing machine' - come along to find out more...

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· Amy Glover

ISEP Carbon Reduction Award

Cullinan Studio has won Islington Sustainable Energy Partnership's (ISEP) Carbon Reduction Awards for the second year in a row.

We were thrilled to pick up the award at the ISEP's Summer Networking Event at the Park Theatre on 3rd July. This year we achieved a 19% reduction in normalising the carbon emissions of our office.

We signed up to the ISEP (formerly ICCP) in 2008 with the commitment of reducing our carbon footprint by 40% by 2020. We now sit at a 55% reduction six years early.

ISEP Carbon Reduction Award

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· Amy Glover

Grade 2* Listing for RMC HQ

Our Ready Mix Concrete International HQ (RMC) has been Grade 2* listed.

Ted Cullinan said: 

“Numerous men and women put their hearts and hard work into the creation of the working landscape for our enlightened clients, Ready Mix Concrete. All of us are thrilled to hear that the value of our work on this unique building has been recognised and that this has led to its being listed for preservation.”

Backed by the Twentieth Century Society and a number of leading figures in the construction industry (list of names included below), Cullinan Studio applied for this award-winning single-storey office complex to be listed Grade 2* to prevent its demolition, less than 25 years since its completion in 1990.

A planning application has been submitted to Runnymede BC for RMC HQ (now Cemex House) to be pulled down and replaced with terraced executive housing. The building’s Grade 2* listing now means demolition could not proceed without both Listed Building Consent and planning permission in place.

RMC is regarded by many as one of Ted’s and Cullinan Studio’s most important works and was one of the key projects in the consideration of his 2008 RIBA Royal Gold Medal.

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· Robin Nicholson

Soft Landings Are More Radical Than I Thought

We all know that new buildings don’t work as we expect them to and good money is being spent investigating ‘the performance gap’; but we do have a solution.

Yesterday I went to a monthly CBx breakfast seminar at the UCL Energy Institute for what I thought would be a timely catch-up but which turned out to be a brilliant wake-up call.  ‘Mr Soft Landings’ Rod Bunn of BSRIA rattled through the story with some key do’s and don’t’s in how to define and then deliver the client’s desired outcomes.  However like other innovative tools such as the Design Quality Indicator, unless we are vigilant our industry will spare no effort in turning Soft Landings into a tick-box exercise, thereby destroying its value.

‘Soft Landings is the graduated handover of a new or refurbished building, where a period of professional aftercare by the project team is a client requirement – planned for and carried out from inception onwards – and lasting for up to three years post-completion.’

In discussion we agreed that although it does cost the client money to procure this additional service, it is much cheaper than the cost of operating an underperforming building for a hundred + years.  

Tamsin Tweddell (Max Fordham and Partners) and Alasdair Donn (Wilmott Dixon Construction) described the Soft Landing approach for Keynsham Town Hall, where the public sector client decided they wanted an office with an ‘A’-rated DEC (note: not an ‘A’-rated EPC). This  includes operational energy and forced the design team, the construction team and the client to work out where the energy risks lay at each stage of the process and who would manage them.

Rod had explained that it is difficult but just about possible to use soft landings in a D&B contract because soft landings demands effective collaboration.  I don’t quite know who is responsible for the industry getting itself into the current impossible situation where lawyers and project managers fruitlessly endeavour to satisfy clients’ risk aversion with customised contracts.  Having been the client for our own office with top engineers and an excellent contractor, the dysfunction of the controls defies belief.

And if you think Soft Landings will just go away, then the variant Government Soft Landings will be mandatory for public buildings from 2016 and it is said that a number of local authorities are insisting on it now.

Having been involved in the creation of soft landings through our Cambridge Maths building, I cannot wait for us to do a full soft landings project, starting on day one with client commitment and expectation and all round collaboration – what a delight that would be!  So we had better start by joining the Softlandings User Group.

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· Amy Glover

Maggie’s Newcastle shortlisted for BCI Award

Maggie's Newcastle is a British Construction Industry (BCI) Awards 2014 finalist.

The BCI Awards, now in their 27th year, recognise outstanding achievement in building.

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· Amy Glover

The Story of Ready Mix Concrete HQ Drawn by Ted Cullinan

On 2nd June 2014 the Twentieth Century Society organised an event in support of the application for Ready Mix Concrete (RMC) HQ to be listed.

RMC (now Cemex house), completed by Cullinans in 1990, is threatened with demolition having been declared surplus to requirements. The Twentieth Century Society, along with a number of highly regarded architects, engineers and designers, is backing our application to list the building in order to save it.

The event was introduced by C20 Society Director, Catherine Croft, after which Ted Cullinan drew the story of the design of the building. He presented the story in three chapters:         

  • Working with our inheritance
  • Working with the climate
  • Work, rest and play

First he described the existing building; listed 17th century Eastley End House, a stable block known as Meadlake House, a late 19th century Surrey style Arts and Crafts house known as The Grange, a lake, protected trees and a number of listed walls. Ted showed how he created a courtyard of roof gardens over offices to satisfy the planners’ interest in the view from St Ann’s Hill beyond the lake and M25.

Ted Cullinan's drawing from the C20 Society event

The second chapter explained how a metre of soil was put on top of the offices with a trough around the edge with a hedge for sun-shading. The underfloor plenum allowed cooled air to be circulated for night purging of the exposed RMC concrete slab. Ted described how the roof vents for the labs and the kitchens were designed as chess pieces.

Ventilation disguised as chess pieces

In the final chapter Ted explained how the buildings supported recreation as well as workspace - the gardens can be walked across and enjoyed.

Catherine then opened up the discussion to the audience, which included many members of the original design team, on why the building should be saved.

Former member of Cullinans, job architect Richard Gooden of 4orm, said that RMC was important for its innovative use of thermal mass and the novel linking of landscape, place and building. It feels that it has always been there.

Miriam Fitzpatrick of Dublin University, who did her Part 3 on RMC explained how the marriage of the landscape and the making of place didn’t seem to be high on the agenda in the 1980s, but everyboby loves a garden.

Greg Penoyre of Penoyre & Prasad suggested RMC’s range of work environments was cleverer than Google’s LA office he had recenly visited because it creates a unique range of places for reflection. As a workplace RMC is special and hard to repeat.

The RMC environmental engineer, Max Fordham, explained the building, being in the greenbelt, had had to meet strict conditions to get planning and those conditions should still apply - making it difficult for anyone else to replace what is there. He explained an advantage of the single-storey office building is its ability to create a natural rooflight down the middle, saving on energy in lighting. RMC has all the attributes of a smart office building but was one of the first not to need air-conditioning. The swimming pool was separated by an air curtain and a heat pump - now very fashionable but at the time, novel.

Ted's drawing describing the environmental elements of the building

Chris Twinn, of Twinn Sustainability Innovation, recalled how he had been working at Arup for five years at the time RMC was completed. He was not involved in the project but saw it as an eye-opener: suddenly you didn’t need air-conditioning. He has was able to draw from those ideas in subsequent projects - Hopkins’ Nottingham Inland Revenue which was to be entirely passively cooled, Portcullis House and BedZED.

Ian Craig, engineer on RMC, thought of RMC as 100 projects in one, describing every detail as great fun and totally original.

Former RIBA President, Sunand Prasad of Penoyre & Prasad, was struck at how the engineers in the room had spoken up. If there is a third industrial revolution based on natural systems, the RMC is an early essay in how we can solve the problems of the future. It has inspired. 

The discussion progressed to other possible uses for the building, which included a boutique hotel and an academic workplace, but it is widely seen as a great place to go on working in.

Fitzwilliam College, Central Building Phase 1 Opening Ceremony

On Monday 13th May I attended the official opening of Phases 1 and 1A of the refurbishment to the central building at Fitzwilliam College, Cambridge.

This forms the first part of a five year staged renovation project to upgrade the function and fabric of the building, designed by Denys Lasdun in 1959, to provide more opportunities for student use, conferences and events. This went hand in hand with upgrading the services and environmental performance to reduce energy consumption and improve the internal conditions. We completed the feasibility study to suggest the packages of work in early 2013.

Enjoying a drink with the Bursar, Andrew Powell and engineers Adrian Mudge and Phil Hutchins

· Amy Glover

Clever Energy: People Power

In May we hosted a talk — 'Clever Energy: People Power' — as part of Open-City's Green Sky Thinking Week 2014 — and filmed it too...

Speakers: Mark Hewitt of ICAX on inter-seasonal heat transfer, Rokiah Yaman of LEAP on developing micro-anaerobic digestion in central London, and Agamemnon Otero of Repowering London on creating community-owned local energy.

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· Amy Glover

NAIC Planning Approval

The National Automotive Innovation Centre (NAIC) has been granted planning approval unanimously by Coventry City Council.

The National Automotive Innovation Centre (NAIC), designed by Cullinan Studio for Jaguar Land Rover, Tata Motors and Warwick Manufacturing Group (WMG) at the University of Warwick will be a centre for world-leading research on developing new automotive technologies aimed at reducing CO2 emissions and dependency on fossil fuels. It will create opportunities for applied academic research by the University's staff and students and become a focus for research by two major automotive companies with strong links to Coventry.

The single building of approximately 33,000sqm across four levels will provide space for research and development, an engineering hall and other business use. NAIC has been designed to achieve a BREEAM 'Excellent' rating and is due to start on site later this year.

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· Amy Glover

RICS London Award for our low-energy offices

Our BREEAM Excellent retrofit studio, the Foundry, is winner of the RICS London Award for Design Through Innovation.

The judges said of the Foundry;

"Innovative design and structural solutions were employed to enhance the place and role of the development in the surrounding area.

"The presentation of a current style to the street frontage, while retaining the traditional canalside warehouse feel on the rear elevation, has maintained the industrial character required by the planners.

"The process has been exemplary in meeting good practice, as well as achieving high environmental performance results and a BREEAM 'Excellent' rating."

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· Amy Glover

Planning for final Bristol Harbourside building

Building 3a, the final piece in the development of our Bristol Harbourside Masterplan, has received planning consent.

Designed by Cullinans, Building 3a will provide 101 residential apartments comprising a mix of one, two and three bedroom properties.

Project Architect, Philip Graham, said:

"The approval of Building 3a - Canon's Gate - will allow Harbourside to complete its transformation from an adjunct of the city into an integral part of it, knitting back into the centre with a contextual architecture.

"More than anything though, this scheme ensures a character that comes from its residents, where planting and the use of external spaces will continue an expression of community."

· Amy Glover

Maggie’s Newcastle wins RIBA Award

Maggie's Newcastle has won a RIBA Regional Award.

Maggie's Newcastle is one of five projects to win a RIBA North East Regional Award. The project also picked up the RIBA North East Sustainability Award.

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· Robin Nicholson

Edge Commission Begins to Get Some Definition

Last evening the Edge held the third session of the Commission of Inquiry into Future Professionalism focussing on ‘Society’ with the President of the Landscape Institute, the Immediate Past Presidents of ICE and RTPI and Matthew Taylor, Chief Executive of the RSA and formerly Head of Tony Blair’s Policy Unit at No 10.

The Commission is sponsored by the Ove Arup Trust and is chaired by Paul Morrell, the first UK Government Chief Construction Adviser (2009-12); he is supported by

  • Isabel MacAllister, Director of Sustainability at Mace
  • Barrister Jenny Baster, Arup
  • Architect Karen Rogers, currently acting as a major client
  • QS Tony Burton, incoming Chairman of CIC
  • Prof Alan Penn, Bartlett Dean (unable to attend this session)

We will need to wait for Denise Chevin’s write-up to be posted alongside the first two on the Edge website and for the final deliberations of the Commission, hopefully before the summer. The over-riding concern of the Edge is how to promote inter-disciplinary behaviour and collaboration between the institutions. They of course all have histories, some long and distinguished, and they have members who often disagree, making the development of policies difficult and shared policies more difficult.

This was brought to a head in a remarkably joined up and rapid response to the flooding in the Somerset Levels earlier this year. Sue Illman led the response from the Landscape Institute with an open letter to David Cameron with support from 16 Institutions but sadly not including the RIBA or RTPI! Her letter hit the magic spot of the first story on the Today programme and thus achieved wide coverage. Matthew Taylor pointed out collaborative action is essential but speed is not always a virtue as Chris Smith demonstrated by choosing the precise moment as Chair of the Environment Agency to intervene and shut up the red-meat politicians calling for the abolition of his Agency.

Matthew described a three tier theoretical framework within which our Institutions operate:

  • Leadership/followship that can control or can convene opinions
  • Solidarity through membership that can be exclusive or inclusive
  • Individualism/enterprise that could promote creativity or commercialism

And much else besides – read Denise to find out more  including what to do about the surplus of architects and the shortage of engineers; my long-standing position has been to reduce the architecture training to four years (+ practice) the first of which is a cross-disciplinary Foundation Year, so that more of us end up in the right place. Interestingly this hovered within the Farrell Review if not in the final Report. The Chairman had the best quote of the evening “architects are the nurses of the construction industry; it doesn’t matter how badly you treat them, there will always be more waiting to become one!"

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· Amy Glover

Maggie’s Newcastle wins RICS Award

Maggie's Newcastle is the winner of the RICS North East Renaissance Awards 'Design Through Innovation' category.

The Design Through Innovation Award recognises creative use of innovative design, how the project has achieved the highest standards and how well the scheme has been received amongst users and the local community.

The judges said:

 "Maggie's Newcastle is a truly inspiring development which provides social, emotional and practical support for cancer patients and their families in a low energy, sustainable new building in the grounds of the Freeman Hospital. Low energy design features and the creative use of textured materials in the building's fit out combine to stunning effect in the creation of a remarkable building, the success of which is borne out of its unexpectedly high visitor numbers since opening."

· Amy Glover

RMC HQ threatened with demolition

Ready Mix Concrete International HQ (RMC), by RIBA Royal Gold Medallist Ted Cullinan, is threatened with demolition.

A planning application has been submitted to Runnymede BC for the award-winning office complex, completed in 1990, to be pulled down and replaced with terrace housing. RMC is regarded by many as one of Ted's and Cullinan Studio's most important works and was one of the key projects in the consideration of his 2008 RIBA Royal Gold Medal.

Peter Davey, in his review for the Architectural Review, sums up the success of the project as the use of Green principles

 "to create a magical world in which the past and the present, nature and artefact are interwoven with great poetic skill."

Not only was the project, with its grass covered roofs (when built, said to be the largest roof garden in Europe) and sunken courtyards, a sympathetic master-stroke in rejuvenating a scarred, once green area, but is was also an iconic statement of the changing meaning and function of the corporate headquarters.

Ted Cullinan, Founder, Cullinan Studio writes

 "The RMC HQ Building is the building in which the ideas that have always interested and inspired me are most thoroughly combined in a single work".

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· Robin Nicholson

‘Retrofit for Purpose’ by Penoyre and Prasad

Judging by there being over 10m hits on Google, ‘Retrofit for Purpose’ is a title that resonates.

Penoyre and Prasad’s book 'Retrofit for Purpose', subtitled ‘Low energy Renewal of Non-Domestic Buildings’ and launched by RIBA Publishing at Ecobuild, is essential reading especially for those teaching architecture as solely the art of building new buildings. 

The reality is that we need to make much better use of the buildings we have already got rather than pulling them down before they have even been paid for; and of course expecting new buildings to last for at least 200 years.  

This book tells you how, with 11 case studies preceded by 6 classic essays including ones by Sunand Prasad and three heroes of Building Performance Evaluation - Bill Bordass, Roderic Bunn and Rajat Gupta with Matt Gregg. I was less familiar with the experience in Germany and USA presented by Mark Siddall and it was interesting to learn that in the Sates it was private sector commercial that pulled the transformation not legislation. But the show-stopper for me was Richard Francis’ economic and management arguments in ‘Spend to make: financing commercial retrofits.’  Francis of The Monomoy Company spells it out so clearly and suggests ‘there are signs that a fundamental shift is under way’ and not before time.

Assembling the data for the case studies must have been a battle of wills, a battle well worth fighting as we have good comparable energy and carbon data, plans and sections and before and after photographs.  There are 5 offices, 2 university buildings, 1 visitor centre, 1 leisure centre, 1 school and Penoyre and Prasad’s own heroic transformation of the Guy’s Hospital tower.  I should probably declare an interest as one of the offices is our own transformation of a Victorian Foundry into a really comfortable BREEAM Excellent office, showing off our own work. 

Siddall suggests that to comply with the ‘EU Energy Efficient Directive, a 33-year programme will be required necessitating the refurbishment of 492,350m² of the total estate per year.  At say between £500 and £1,000 per m², the annual expenditure would be some £250m to £500m per annum; and that is just for the public estate leaving aside over 3m privately owned non-domestic buildings’.  And that will require top architects, engineers and construction managers with new skills, working collaboratively.  LETS GO!

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· Amy Glover

Stonebridge Hillside Hub Exhibition

Exhibition of the Stonebridge Hillside Hub at the University of Nottingham School of Architecture

From 4th February to 14th March an exhibition detailing the design and construction, from inception to completion, of the Stonebridge Hillside Hub will be on display at the University of Nottingham School of Architecture.

We completed this landmark mixed-use community building in 2009. It has since won a number of awards, including a Building for Life Gold Standard and Award and a Civic Trust Special Award for Community Impact and Engagement.

· Amy Glover

Lord Mayor’s Design Awards & Civic Trust Awards

Maggie's Newcastle has won two awards and a commendation at the Newcastle Lord Mayor's Design Awards 2013.

Maggie's Newcastle, completed in May this year, won the 'Small Scale' category and the Lord Mayor's Special Award. The project was also a Commended Finalist in the Landscape category.

'This year the Lord Mayor would like to recognise the success of Maggie's Newcastle for both its external appearance as a building in a landscape setting and its approach to the internal spaces. The judges were unanimous in their praise of how the development has used space well on a compact site.'

Maggie's Newcastle has also been named as a Regional Civic Trust Awards Finalist and has been put forward for a National Award.

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· Amy Glover

Camden Design Awards shortlist

Torriano Junior School Gatehouse has been shortlisted for two Camden Design Awards 2013.

Torriano Junior School Gatehouse has been shortlisted for the 'Camden Community Designs Award' and the 'People's Choice Award'.

The 'Camden Community Designs Award' recognises scheme that have had the most positive impact on the local community. Voting is now open for the 'People's Choice Award' on the We Are Camden website - look for 'The Gatehouse' if you would like to vote for our project.

· Amy Glover

Maggie’s Newcastle wins Building Better Healthcare Award

Maggie's Newcastle has won a Special Award at this years Building Better Healthcare Awards, presented on 6th November 2013.

Maggie's Newcastle Cancer Care Centre, completed in May this year, was awarded the Patient's Choice Award, which is presented to the project, across all categories, that was deemed to have the biggest impact on the patient experience and outcomes.

The judges said;

"I love the approach they have taken to this and the way people come into such a lovely space. The building has good architectural principals and I like the open spaces. It is a building that is very easily navigable and it is furnished very comfortably."

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· Amy Glover

The Happold Medal 2013

Robin Nicholson has become the ninth recipient of the prestigious Happold Medal 2013.

Awarded jointly by the Construction Industry Council (CIC) and the Happold Trust, Robin received the award after delivering the Happold Medal Lecture 2013, entitled 'Collective responsibility for a sustainable industry'.

The Happold Medal Lectures form an occasional series of groundbreaking lectures on a wide array of topics, with a focus on sustainable development. They are in memory of CIC's founding Chairman and visionary engineer, Sir Edmund (Ted) Happold.

Robin Nicholson with the Happold Medal

· Amy Glover

Open House London

On Sunday 22nd September we were open for the Open House London 2013 weekend. We were delighted to welcome over 140 people through the door.

Visitors were taken on tours of the building by the architects and engineer of the retrofitted Victorian warehouse we converted into our studios last year. There was also an exhibition of our recent and current work on the canal level of the building. Tea, coffee and cake seemed to be gratefully received. Donations for cakes came to £64 pounds which will go toMaggie's Cancer Care Centres. Thank you to everyone who contributed.

An exhibition of our recent work on the canal level of our studios

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· Amy Glover

Maggie’s Culture Crawl

On Friday 21st September a team from Cullinan Studio completed the 15 mile Culture Crawl to raise money for Maggie's Cancer Care Centres.

The team walked through the night ending at the top of 30 St Mary Axe (The Gherkin) at 2am. We have raised just over £1,000 for the charity so far, but any further donations are still very welcome!

Some of the Cullinan Studio Culture Crawl team

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· Amy Glover

Double-winner at the AJ Retrofit Awards

Cullinan Studio were double-winners at the AJ Retrofit Awards on Wednesday 11th September.

We picked up the award for the Offices - under £5m category for the Foundry (our own retrofitted studios) and the Schools category for improvements to Rosendale Primary School in south London.

The AJ Retrofit Awards recognise and celebrate design, engineering and construction excellence that prolongs and improves the life of the built environment.

The Foundry will be open for Open House London on Sunday 22nd September, 11am - 1pm.

Foundry studios: BREEAM Excellent retrofit

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· Joseph Frame

Growing Underground

What lies beneath the streets of London is a constant source of interest to tourists and residents alike.

Unlocking the potential of existing underground spaces are an exciting reaction to numerous issues affecting the city today. Just such a project is developing under the streets of Clapham, courtesy of Zero Carbon Food and their first project Growing Underground.

Growing Underground are in the process of setting up a 1 hectare urban farm in a disused air raid shelter 12 stories underground in South London The farm will grow micro greens and herbs to supply London restaurants and markets. Having had a successful campaign for crowd funding earlier this year, the founders recently gave guided tours prior to its transformation into a highly controlled farm, and we were lucky enough to join them for a look at this exciting project.

Entering the unassuming entrance from Clapham Road we were led down 12 stories of spiral stair into the dark tunnels. With the aid of a few torches and mobile phones we were shown through the tunnels, where you can still see the outlines of wartime bunk beds on the floor, whilst two of the co-founders gave us an overview of the future set up of the farm. It is to be a cutting edge installation of hydroponic plant production on an industrial scale, with a lift to the surface being the top priority.

Street level entrance to the air raid shelter

Tunnels for future expansion of the farm

From the dark tunnels we moved into the vivid light of the test area filled with plastic beds of herbs (of which we had a few tastes), pumping and ventilation systems. As we nibbled away we were given an overview of the ecological benefits of the growing underground system:

  • The products will have the lowest of food miles, being both grown and sold in London
  • Complete environment control allows for developing the optimum growing conditions to increase yields (and flavour)
  • The low energy LED allow for 24 hour activity, 365 days a year (with green electricity supplied by Good Energy)
  • Only the minimum amount of water is used to produce the crops, reducing the environmental impact

Test bed where the plants are grown on recycled carpet from the Athlete's Village

Thanks to these benefits, and no doubt the esoteric location, Growing Underground has garnered a lot of interest and Zero Carbon Food are in discussions to expand to other sites around London. The end of the tour was a strenuous walk back to the surface, which gave us sympathy for those who are currently doing this multiple times a day to get this project up and running.

It is fascinating to see an idea from many an architecture student project of recent times being made tangible, along with the opening of a new chapter in the continuing narrative of food’s influence over the urban landscape (eloquently charted in the excellent book Hungry City by Carolyn Steel)

Zero Carbon Food are a part of the burgeoning urban food production and distribution network in London that includes FARM, Cultivate London and The Food Assembly, amongst many others. Let’s hope that planning authorities will encourage this type of urban activity to help Londoners reconnect with their food and to bring new life to forgotten spaces.

Original test bed from which Zero Carbon Food developed their business and growing model

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